
“Full of detail and surprises, her already sophisticated choreography evokes the impermanence of its title image in the floating relationships among five dancers.
This woman should get more work.”
— Brian Seibert, The New York Times

“Yet Landon, a graduate of Juilliard, is a choreographer to note for the future. She favors a movement style that emphasizes speed, crisp yet feathery attacks and isolations that test the dancers.
One performer will barely touch another, yet, despite the fleeting meetings, you sense the desperate urge for contact. They sweep into circles, slip to the floor and rise to melt into unisons. The ensemble forays recall a pack of wolves and a drill team at the next.”
— Allan Ulrich, SF Gate
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